╔═════════════╦═══════════════════════════════════════════════════════════════╗ ║ Information ║ ║ ╠═════════════╝ ║ ║ ║ ║ Artist ............................ Frank Sinatra ║ ║ Album ................ The Voice Of Frank Sinatra ║ ║ Year ....................................... 1946 ║ ║ Label .......................... Columbia Records ║ ║ Catalog No. ............................... C-112 ║ ║ Genre ..................................... Vocal ║ ║ Style .................... Traditional Pop, Swing ║ ║ Input Format ............................ Shellac ║ ║ Output Format ............... 24-bit, 48 kHz FLAC ║ ║ Album Art .............................. Included ║ ║ ║ ║ Transfer by ║ ║ scar ║ ║ Comments welcome, ║ ║ Contact me on EFnet ║ ║ ║ ╠═════════════╦═══════════════════════════════════════════════════════════════╣ ║ Album Notes ║ ║ ╠═════════════╝ ║ ║ ║ ║ Columbia Presents ║ ║ The Voice Of Frank Sinatra ║ ║ ║ ║ ║ ║ When the history of show business is written, the year 1943 ║ ║ will be outstanding because it was the year that saw the un- ║ ║ precedented rise to stardom of Frank Sinatra. There have been ║ ║ other occasions in the past years when some personality ║ ║ captured the imagination and affection of the public, but none ║ ║ took on the proportions and magnitude of the Sinatra boom. ║ ║ In the short span that has marked Sinatra's meteoric rise to ║ ║ fame, he has been chosen in the majority of radio and magazine ║ ║ polls as "America's No. 1 Singer". He has already taken his ║ ║ place with the biggest names of Hollywood. By smashing every ║ ║ attendance record in the history of New York's Waldorf- ║ ║ Astoria was conclusive proof that Sinatra is no overnight ║ ║ phenomenon, but a firmly entrenched great star whose appeal ║ ║ is universal. A condensation of his fan mail reveals that ║ ║ Sinatra's popularity is as great with the adult as it is with ║ ║ the adolescent. Here in one album, Columbia gives you the most ║ ║ popular songs of the last decade—recorded by FRANK SINATRA. ║ ║ This album will be the prized possession of not only Frank's ║ ║ fans—but everyone who takes the time to share a moment ║ ║ with sentiment. ║ ║ ║ ║ Call it personality—the voice—or what you will. It's not ║ ║ just one of these things at a time—it's all of them at once— ║ ║ and it's ║ ║ ║ ║ THE VOICE ║ ║ of ║ ║ FRANK SINATRA ║ ║ ║ ║ 36918 YOU GO TO MY HEAD ║ ║ I DON'T KNOW WHY ║ ║ ║ ║ 36919 THESE FOOLISH THINGS ║ ║ A GHOST OF A CHANCE ║ ║ ║ ║ 36920 WHY SHOULDN'T I? ║ ║ TRY A LITTLE TENDERNESS ║ ║ ║ ║ 36921 SOMEONE TO WATCH OVER ME ║ ║ PARADISE ║ ║ ║ ║ ║ ║ Orchestra under the direction of Axel Stordahl ║ ║ ║ ║ ║ ║ ║ ║ ~ Runout Groove Information ~ ║ ║ Side A: 1‒ 9 G HCO1500 G ║ ║ Side B: 1A 22 A HCO1502 B ║ ║ Side C: 1‒ 16 N HCO1501 A ║ ║ Side D: 1‒ 29 I CO35496 B ║ ║ Side E: 1‒ 7 A CO35497 A ║ ║ Side F: 1‒ 20 B CO35498 A ║ ║ Side G: 1‒ 6 N HCO1499 D ║ ║ Side H: 1‒ 14 C CO35499 A ║ ║ ║ ║ ║ ╠════════════╦════════════════════════════════════════════════════════════════╣ ║ Track List ║ ║ ╠════════════╝ ║ ║ ║ ║ # Title Time Composer ║ ║ ───────────────────────────────────────────────────────────────────────── ║ ║ A1. You Go To My Head ................ 3:02 Gillespie, Coots ║ ║ B1. I Don't Know Why (I Just Do) ..... 2:47 Turk, Ahlert ║ ║ C1. These Foolish Things ║ ║ (Remind Me Of You) ............... 3:09 Marvelle, Strackey, Link ║ ║ D1. (I Don't Stand) ║ ║ A Ghost Of A Chance (With You) ... 3:12 Crosby, Washington, Young ║ ║ E1. Why Shouldn't I? ................. 2:53 Cole Porter ║ ║ F1. Try A Little Tenderness .......... 3:09 Woods, Campbell, Connelly ║ ║ G1. Someone To Watch Over Me ......... 3:22 I. Gershwin, G. Gershwin ║ ║ H1. Paradise ......................... 2:39 Clifford, N.H. Brown ║ ║ ───────────────────────────────────────────────────────────────────────── ║ ║ Total: 8 tracks .................... 24:13 ║ ║ ║ ║ ║ ╠═══════════════╦═════════════════════════════════════════════════════════════╣ ║ Release Notes ║ ║ ╠═══════════════╝ ║ ║ ║ ║ My first time working with shellac. These discs appeared ║ ║ to be in excellent condition, with little to no warpage ║ ║ nor scratches. It naturally has that shellac crackle, ║ ║ which I removed very little of. I leave any post- ║ ║ processing up to you. If the warp on track C1 (and possibly ║ ║ other tracks) is audible, your bass might be too high. ║ ║ ║ ║ ║ ╠═══════════╦═════════════════════════════════════════════════════════════════╣ ║ Synthesis ║ ║ ╠═══════════╝ ║ ║ ║ ║ vinyl ║ ║ ╰───┬───╯ ║ ║ │ ║ ║ ╭───┴──────────────────────────╮ ║ ║ │ Wet Cleaning │ ║ ║ │ · Solution: Distilled water, │ ║ ║ │ dish soap │ ║ ║ ╰──────────────────┬───────────╯ ║ ║ ╰─────╮ ║ ║ ╭────┴───────────────────────────────╮ ║ ║ │ TTWeights TTCarbonFibre mat 170 g. │ ║ ║ │ + Technics SL-1200 rubber mat │ ║ ║ ╰──────────────────┬─────────────────╯ ║ ║ ╭───────╯ ║ ║ ╭─────────────────────┴────╮ ║ ║ │ Technics SL-1200M3D │ ║ ║ │ · Strobe light disabled │ ║ ║ │ · KAB PS-1200 ext. power │ ║ ║ │ · Speed: 78.26 RPM │ ║ ║ ╰──────────────────┬───────╯ ║ ║ │ ║ ║ ╭───┴──────────────────────╮ ║ ║ │ Grado 78E │ ║ ║ │ · Tracking force: 2.0 g. │ ║ ║ ╰───────────┬──────────────╯ ║ ║ ╰──────────────────────╮ ║ ║ ╭──────────────┴──────╮ ║ ║ │ Technics headshell │ ║ ║ │ w/ Technics │ ║ ║ │ headshell wires │ ║ ║ ╰───┬─────────────────╯ ║ ║ ╭──────────────╯ ║ ║ ╭──────────────────┴──╮ ║ ║ │ KAB TD-1200 Tonearm │ ║ ║ │ · Fluid damper │ ║ ║ │ · Cardas wire │ ║ ║ │ · VTA: 0 mm │ ║ ║ │ · Anti-skating: 2 │ ║ ║ ╰──┬──────────────────╯ ║ ║ ╭─────────╯ ║ ║ ╭───────┴─────────────────────╮ ║ ║ │ KAB PC-1200 RCA Phono Plate │ ║ ║ ╰─────────────────────┬───────╯ ║ ║ ╰─────────╮ ║ ║ ╭─────┴───────────────╮ ║ ║ │ Grado Prestige │ ║ ║ │ Interconnect cables │ ║ ║ ╰─────────────┬───────╯ ║ ║ ╰────────────╮ ║ ║ ╭───────────────┴───────────────╮ ║ ║ │ TDL 408 │ ║ ║ │ · Gain: 52 dB │ ║ ║ │ · Turnover: 200 Hz ⎱ Columbia │ ║ ║ │ · Rolloff: 1600 Hz ⎰ EQ │ ║ ║ │ · Rumble filt.: off │ ║ ║ ╰─────────┬─────────────────────╯ ║ ║ ╭───────╯ ║ ║ ╭───────────────────┴──────────────╮ ║ ║ │ American Recorder Technology │ ║ ║ │ Interconnect cables, Jazz 0.5 m. │ ║ ║ ╰────────────────┬─────────────────╯ ║ ║ ╰────────────╮ ║ ║ ╭────────┴──────╮ ║ ║ │ KAB RF-1 │ ║ ║ │ Rumble filter │ ║ ║ ╰─────┬─────────╯ ║ ║ ╰──╮ ║ ║ ╭────────┴──────╮ ║ ║ │ BlueJeans BJC │ ║ ║ │ MSA-1 cable │ ║ ║ ╰─────┬─────────╯ ║ ║ ╭────╯ ║ ║ ╭────────┴───────────╮ ║ ║ │ ASUS Xonar DX line │ ║ ║ ╰───┬────────────────╯ ║ ║ ╭───────────────╯ ║ ║ ╭───┴──────────────╮ ║ ║ │ Audacity 1.3.5 │ ║ ║ │ · device: ALSA │ ║ ║ │ · rate: 96 kHz │ ║ ║ │ · format: 24-bit │ ║ ║ ╰──────────────┬───╯ ║ ║ ╰───────────╮ ║ ║ ╭──┴───────────────────╮ ║ ║ │ libsndfile1 1.0.17 │ ║ ║ │ · rate: 96 kHz │ ║ ║ │ · format: WAV 24-bit │ ║ ║ ╰───┬──────────────────╯ ║ ║ ╭───────╯ ║ ║ ╭────────────────┴─────────╮ ║ ║ │ ClickRepair 3.0.1 (b39b) │ ║ ║ │ · DeClick: 10 │ ║ ║ │ · DeCrackle: 10 │ ║ ║ │ · Wavelet │ ║ ║ │ · Stereo > Mono │ ║ ║ ╰────────────┬─────────────╯ ║ ║ ╰───────────────╮ ║ ║ ╭───────────┴───────╮ ║ ║ │ Audacity 1.3.5 │ ║ ║ │ · Stereo to Mono │ ║ ║ │ · trimming │ ║ ║ │ · fading │ ║ ║ │ · normalizing │ ║ ║ ╰────┬──────────────╯ ║ ║ ╭───────────╯ ║ ║ ╭──┴───────────────────╮ ║ ║ │ libsndfile1 1.0.17 │ ║ ║ │ · rate: 96 kHz │ ║ ║ │ · format: WAV 24-bit │ ║ ║ ╰───┬──────────────────╯ ║ ║ ╭──╯ ║ ║ ╭────────┴──────────────╮ ║ ║ │ SoX 14.2.0 │ ║ ║ │ · resample to: 48 kHz │ ║ ║ │ · VHQ, steep, linear │ ║ ║ │ phase │ ║ ║ ╰──┬────────────────────╯ ║ ║ ╰───────╮ ║ ║ ╭────────┴─────────╮ ║ ║ │ libFLAC 1.2.1 │ ║ ║ │ · compression: 8 │ ║ ║ ╰───┬──────────────╯ ║ ║ ╭───────────────╯ ║ ║ ╭───┴───────────────────╮ ║ ║ │ Kid3 1.0 │ ║ ║ │ · add Vorbis comments │ ║ ║ ╰───────────┬───────────╯ ║ ║ │ ║ ║ ╭───────┴────────╮ ║ ║ ║ ║ FLAC ║ ║ 24-bit, 48 kHz ║ ║ ──────────────────── ║ ╠═════════════════╦═══════════════════════════════════════════════════════════╣ ║ Synthesis (PDF) ║ ║ ╠═════════════════╝ ║ ║ ║ ║ paper ║ ║ ╰───┬───╯ ║ ║ │ ║ ║ ╭───┴───────────────────╮ ║ ║ │ Mustek ScanExpress A3 │ ║ ║ │ USB 1200 Pro │ ║ ║ ╰──────────────────┬────╯ ║ ║ ╰─────╮ ║ ║ ╭────┴─────────────────────────────╮ ║ ║ │ Xsane 0.996 using libsane 1.0.19 │ ║ ║ │ · DPI: 300 │ ║ ║ │ · Auto-adjust gamma, contrast, & │ ║ ║ │ brightness │ ║ ║ │ · bits: 48 │ ║ ║ ╰──────────────────┬───────────────╯ ║ ║ ╰────────────╮ ║ ║ ╭───────────┴───────╮ ║ ║ │ libpng12-0 1.2.27 │ ║ ║ ╰────┬──────────────╯ ║ ║ ╭───────────────────────────╯ ║ ║ ╭───────┴────╮ ║ ║ │ GIMP 2.6.7 │ ║ ║ │ · Crop │ ║ ║ │ · Rotate │ ║ ║ ╰────┬───────╯ ║ ║ ╰────────────╮ ║ ║ ╭─────┴─────────────╮ ║ ║ │ libpng12-0 1.2.37 │ ║ ║ ╰────┬──────────────╯ ║ ║ ╰───────╮ ║ ║ ╭────┴─────────────╮ ║ ║ │ Scribus 1.3.3.13 │ ║ ║ ╰───────────┬──────╯ ║ ║ ╰──────────────╮ ║ ║ ╭──────────────┴──────╮ ║ ║ │ ghostscript 8.70 │ ║ ║ │ · Compression: │ ║ ║ │ Automatic/Maximum │ ║ ║ │ · Compatibility: │ ║ ║ │ PDF 1.4 │ ║ ║ ╰───┬─────────────────╯ ║ ║ ╭────────────────╯ ║ ║ ╭────────┴───────────╮ ║ ║ │ jPDF Tweak 0.9.5 │ ║ ║ │ · Create bookmarks │ ║ ║ ╰───┬────────────────╯ ║ ║ ╰───╮ ║ ║ ╭───┴───╮ ║ ║ ║ ║ PDF ║ ║ ─────────── ║ ╚═════════════════════════════════════════════════════════════════════════════╝